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Terpsichore / Ballets from Ariodante
Georg Friedrich Händel

Ava Pine / Kirsten Sollek / Concert Royal / James Richman

Terpsichore / Ballets from Ariodante

Format: CD
Label: Centaur Records, Inc.
UPC: 0044747303321
Catnr: CRC 3033
Release date: 18 July 2014
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1 CD
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Label
Centaur Records, Inc.
UPC
0044747303321
Catalogue number
CRC 3033
Release date
18 July 2014
Album
Artist(s)
Composer(s)
EN

About the album

Handel’’s one act opera-ballet Terpsichore (1734) is followed by the ballets sequences from his 1735 opera seria, Ariodante. Leading baroque conductor James Richman founded the NYC-based Concert Royal in 1974 and remains its Artistic Director. About soprano Ava Pine: “…perfect balance of passion and intellect…a voice of natural beauty and flexibility” – D Magazine (Dallas, TX) About mezzo Kirsten Sollek: …an appealingly rich alto” – NYTimes; “…elemental tone quality.” - The Philadelphia Inquirer

Artist(s)

The Royal Concertgebouw Orchestra Amsterdam

The Royal Concertgebouw Orchestra is one of the very best orchestras in the world. Time and time again, critics have lauded its unique sound, which clearly stands out among thousands of others. The RCO’s string section has been called ‘velvety’, the sound of the brass ‘golden’, the timbre of the woodwinds ‘distinctly personal’ and the percussion have an international reputation. While the exceptional acoustics of the Concertgebouw, play an important role in this respect, the influence exerted on the orchestra by its chief conductors, of whom there have been only seven since the orchestra was founded in 1888, is also important. As is that of the musicians themselves.  RCO Amsterdam is made up of 120 players hailing from over 20 countries. Despite its...
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The Royal Concertgebouw Orchestra is one of the very best orchestras in the world. Time and time again, critics have lauded its unique sound, which clearly stands out among thousands of others. The RCO’s string section has been called ‘velvety’, the sound of the brass ‘golden’, the timbre of the woodwinds ‘distinctly personal’ and the percussion have an international reputation.

While the exceptional acoustics of the Concertgebouw, play an important role in this respect, the influence exerted on the orchestra by its chief conductors, of whom there have been only seven since the orchestra was founded in 1888, is also important. As is that of the musicians themselves. RCO Amsterdam is made up of 120 players hailing from over 20 countries. Despite its size, the orchestra actually functions more like a chamber orchestra.This requires both a high individual calibre and a great sense of mutual trust and confidence. The atmosphere onstage, the orchestra’s roots in Amsterdam and the organisational structure

all converge to create exactly the right circumstances for exceptional music-making. The musicians are allowed to shine, yet still share responsibility for the collective. They also share the aim of achieving and delivering the highest level of quality at every performance, an ambition that goes far beyond simply playing all the notes perfectly. This is how magic is made and a concert becomes a truly unforgettable experience.


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James Richman (conductor)

Composer(s)

Georg Friedrich Händel

Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.  Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.  Compared to his contemporaries Bach, Telemann...
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Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.

Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.

Compared to his contemporaries Bach, Telemann and Scarlatti, Handel was by far the most cosmopolitan. When Handel was a child, his father, who was a surgeon at the court of Saxe-Weissenfels, imagined a juridical career for him. But his musical talents did not go unnoticed at the court, which forced the father to let him study music. In Hamburg, Handel befriended Mattheson. Together they visited Buxtehude, the greatest organ player of his time, in 1703 (two years before Bach did). At that time, Handel was already an excellent musician, but it wasn't until his stay in Italy - the land of opera - that his talents and skills truly started to flourish. Back in Germany, he received a position at the court of Hannover, where the noblemen had a connection to the British throne. Thanks to these connections, Handel decided to move to London, after which a puzzling history of intrigues and political games started. For example, it is unclear what the exact political message of his famous Water Music is, which was composed for a boat ride on the river Thames by King George. Initially, Handel focused on Italian opera during his stay in London, but from the 1730s onwards he started composing English spoken oratorios, with the celebrated Messiah at its peak.


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01.
Terpsicore, HWV 8b: Overture
03:35
02.
Terpsicore, HWV 8b: I nostri cori dobbiamo offrir (Chorus)
01:56
03.
Terpsicore, HWV 8b: Recitative. Melodiosa germana (Apollo)
00:28
04.
Terpsicore, HWV 8b: Aria. GranTtonante (Apollo)
08:55
05.
Terpsicore, HWV 8b: Recitative. Ma terpsicore snella, dov’è? (Erato, Apollo)
00:26
06.
Terpsicore, HWV 8b: Aria. Di Parnasso i dolci accenti (Erato)
05:04
07.
Terpsicore, HWV 8b: Prelude
00:23
08.
Terpsicore, HWV 8b: Recitative. Ecco sen vien (Apollo)
00:20
09.
Terpsicore, HWV 8b: Chaconne
05:04
10.
Terpsicore, HWV 8b: Duet. Col tuo piede (Apollo, Erato)
01:05
11.
Terpsicore, HWV 8b: Sarabande
02:14
12.
Terpsicore, HWV 8b: Recitative. Pingi i trasporti d'un amator (Apollo)
00:10
13.
Terpsicore, HWV 8b: Gigue
01:09
14.
Terpsicore, HWV 8b: Recitative. La speme è cura d’un fido amor (Erato)
00:11
15.
Terpsicore, HWV 8b: Duet. Tuoi passi son dardi (Apollo, Erato)
05:10
16.
Terpsicore, HWV 8b: Recitative. La gelosia, cieco il furor (Apollo)
00:10
17.
Terpsicore, HWV 8b: Air
01:49
18.
Terpsicore, HWV 8b: Recitative. Dai, quando vuoi, gioia ò dolor (Erato, Apollo)
00:13
19.
Terpsicore, HWV 8b: Aria. Hai tanto rapido (Apollo)
02:08
20.
Terpsicore, HWV 8b: Ballo. Passepied
01:22
21.
Terpsicore, HWV 8b: Duet. Vezzi più amabili (Apollo, Erato)
01:59
22.
Terpsicore, HWV 8b: Cantiamo lieti della virtù (Chorus)
01:51
23.
Ariodante, HWV 33, Act I: Sinfonia
00:42
24.
Ariodante, HWV 33, Act I: Duet. Se rinasce nel mio cor - Si godete al vostro amor (Chorus, Gineva, Ariodante)
01:15
25.
Ariodante, HWV 33, Act I: Chorus
01:02
26.
Ariodante, HWV 33, Act I: Ballo. Tempo di gavotta
01:06
27.
Ariodante, HWV 33, Act I: Musette I
01:23
28.
Ariodante, HWV 33, Act I: Musette II
01:14
29.
Ariodante, HWV 33, Act I: Ballo. Allegro
01:41
30.
Ariodante, HWV 33, Act I: Si godete al vostro amor (Chorus, Gineva, Ariodante)
01:15
31.
Ariodante, HWV 33, Act II: Recitativo accompagnato. A me impudica? (Gineva, Dalinda)
02:16
32.
Ariodante, HWV 33, Act II: Aria. Il mio crudel martoro (Gineva)
04:54
33.
Ariodante, HWV 33, Act II: Entrée des songes agréables
02:09
34.
Ariodante, HWV 33, Act II: Entrée des Songes funestes
01:40
35.
Ariodante, HWV 33, Act II: Entrée des Songes agréables effrayées
01:00
36.
Ariodante, HWV 33, Act II: Combat des Songes funestes et agréables
01:33
37.
Ariodante, HWV 33, Act II: Recitativo accompagnato. Che vidi? Oh Dei! Misera me! (Gineva)
00:36
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